Posted on September 26, 2024 by
Teresa Eckmann, UNM PhD Art History alumna, studied under emerita Associate Professor of Chicano Art, Holly Barnet Sánchez. Currently serving as Associate Professor of Contemporary Latin American Art at UT San Antonio, Eckmann has recently released her second book titled “Julio Galán: The Art of Performative Transgression” published by UNM Press. In this publication, Eckmann explores Julio Galán’s complex production and artistic process.
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UTSA Art History Professor Teresa Eckmann, PhD has a new publication titled “Julio Galán: The Art of Performative Transgression” published by UNM Press.
Description of the book:
From his provincial origins in the small northern Mexico town of Múzquiz, Coahuila, to his meteoric rise in Manhattan's East Village art scene, to having achieved international standing at the time of his early death at forty-seven, Julio Galán was radically transgressive. The artist extended contemporary Mexican painting beyond the cultural criticism of Neo-Mexicanism (neomexicanismo), redefining Mexican identity as gender-expansive in his art. Galán combined gender-fluid imagery, his performative persona, queer self-representation, and cross-cultural visual and textual references to create large-scale, layered, dialogical visual puzzles. An artist ahead of his time, Galán's content and imagery is relevant to contemporary LGBTQ+ social movements.
Replete with full-color reproductions of Galán's artwork and photographic material, Teresa Eckmann's book serves as the first English-language monograph on the artist's life and work. Anyone interested in art in Mexico and Latin America will find this book an indispensable addition to their library, and it will be a core book on the study of this artist for decades to come.
Praise for the book:
“This is a very welcome book, and a model of how to approach a (near) contemporary artist. Eckmann’s achievement is all the more impressive since until now there has been no serious English-language art-historical discussion of Galán.” -Rubsinstein
Check out review by Raphael Rubinstein, New York-based critic and poet
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