Research Interests
As a composer, I aim to construct communities where sound can serve as a site for critical inquiry to be realized, not just in the abstract, but in practice. Within this guiding principle, I consider my compositional output to be a project-based research, where I utilize music technologies and engage theoretical scholarship to explore personal subjectivities of auditory reception, re-think instruments and/as objects, and propose ways in which sound-based practice can operate more dynamically and equitably. AKA, I create multi-media compositions and sound environments that draw on interdisciplinary practices in digital, electronic, acoustic, and kinetic sound-based media!