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UTSA Studies in Transnational Literatures

Hideo Levy

By Kristen Sharp

Back to The Translingual Imagination

Pages

  • A Farewell to Arms (1929)
  • Across the River and into the Trees (1950)
  • Anaïs Nin
  • Chimamanda Ngozi Adichie
  • Claude McKay
  • Djuna Barnes
  • E.E. Cummings
  • Edwidge Danticat
  • Ernest Hemingway
  • Ernesto Galarza
  • Everybody’s Autobiography (1937)
  • Expatriate Movements, Events, Curiosities, and Associations
  • Expatriate Texts
  • Ezra Pound
  • F. Scott Fitzgerald
  • For Whom the Bell Tolls (1940)
  • Francesca Marciano
  • Gertrude Stein
  • Giovanni’s Room (1956)
  • Henry Miller
  • Hideo Levy
  • Home
  • Hugh Selwyn Mauberley (1920)
  • James Baldwin
  • John Dos Passos
  • Ladies Almanack (1928)
  • Malcolm Cowley
  • Meena Alexander
  • Nella Larsen
  • Oscar Fingal O’Fflahartie Wills Wilde
  • Quicksand (1928)
  • Robert McAlmon
  • Salman Rushdie
  • Spring and All (1923)
  • Suki Kim
  • T.S. Eliot
  • Tender Is the Night (1934)
  • The 42nd Parallel (1930)
  • The Air-Conditioned Nightmare (1945)
  • The American Expatriate Encyclopedia
  • The American Volunteer Motor-Ambulance Corps
  • The Enormous Room (1922)
  • The Nightinghouls of Paris (2007)
  • The Sun Also Rises (1926)
  • The Translingual Imagination
  • The Waste Land (1922)
  • Three Soldiers (1921)
  • Tropic of Cancer (1934)
  • William Carlos Williams
  • Yoko Tawada