Recent Thesis Abstracts

Coral Lumbley (Spring 2013)

The Nostalgia of Twentieth-Century Medievalism’s

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Jason Trevino (Spring 2012)

MORTUARY INTIMACIES AND OTHER TRIVIA

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Patrick Collins (Fall 2010)

SEACHANGER

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Annemarie Mulkey (Spring 2010)

QUEERING CULTURE: CONFOUNDING AND TROUBLING HETERONORMATIVITY THROUGH CRITICAL QUEER IDENTITIES IN LITERATURE, FILM, AND MUSIC

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Michael Lee Gardin (Fall 2009)

TOWARDS A NEW THIRD SPACE MOTHERING: MOTHERHOOD AND INSTITUTIONS IN CRISTINA GARCIA’S DREAMING IN CUBAN AND ANA CASTILLO’S SO FAR FROM GOD

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Melissa Whitney (Spring 2009)

TINA MCELROY ANSA'S "UGLY WAYS" AND "TAKING AFTER MUDEAR": MOTHER-DAUGHTER PSYCHOLOGICAL DIASPORAS

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Naomi Craven (Spring 2008)

BEHIND THE GILDED EDGE: THE FRAMING OF WOMEN IN NINETEENTH-CENTURY FICTION

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Jeffrey Miller (Spring 2008)

TRACING CHANGES IN THE GENRE CONVENTIONS OF FANTASY LITERATURE: A DIACHRONIC QUANTITATIVE AND QUALITATIVE ANALYSIS

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Sara Ramírez (Fall 2007)

THE MADWOMAN CAN’T SPEAK BUT LA LOCA CAN: A CHICANA FEMINIST ANALYSIS OF “MADWOMEN” IN LATINA TEXTS

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Brandon Lingle (Spring 2007)

GOLDEN ELBOW REFLECTIONS

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Jessica Loudermilk (Fall 2006)

KA AINA I KA PONO: JACK LONDON, HAWAI'I AND RACE

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Anne Regules (Spring 2006)

WORKING WOMEN RE-WORKING THE ROMANCE: CHICK-LIT FROM KATE CHOPIN TO JENNIFER WEINER AND SEX AND THE CITY

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